Thursday, October 6, 2016

A Tris Speaker Sing-along


“(They Call Me) Tris Speaker”

Click the YouTube link at bottom and sing along...

I’ve clubbed them for pairs
I’ve slugged the most doubles
I’ve hit almost as many
As stars seen by Edwin Hubble

They call me Tris Speaker
I’ve been roundin' first so spry
I won’t get the fame that I’m after
’cause of a guy named Ty

I asked Stengel, Charles Dillon
Who was Speaker’s equal?
He perfessor’ed back to me
There was only one Gray Eagle

They call me Tris Speaker
I’ve been roundin’ first so spry
I won’t get the fame that I’m after
’til the Hall opens in ’39

People tend to rate me
In the middle of the pile
As I ransack their fields
And ruin pennant plans
Focusing on home runs
Not the records I’ve compiled
I’ve got more doubles
Than Rose, Cobb, and The Man

I won’t get the fame that I’m after
’cause of a guy named Ty

I learned how to cut down base runners
In assists, no one’s within a hundred seventy-five
I was happy in Boston, even more in Cleveland
I’m most valuable in socks of red, blue, or argyle

You’re lookin’ at me
I’m lookin’ for two
Once you pitch that ball
There ain’t nothin’ you can do

They call me Tris Speaker
I’ve been roundin’ first so spry
I won’t get the fame that I’m after
’til the Hall opens in ’39

I won’t get the fame that I’m after
’til the Hall opens in ’39

Tuesday, October 4, 2016

Atlanta's Fiery Nickname Flamed the Fans Rather Than Fanned the Flames

Apart from the Braves, Atlanta has never enjoyed much success as a sports town. In 50 seasons, the Falcons have lost nearly 57% of their games—yielding the fourth worst winning percentage among all 32 current NFL franchises. Reaching the Super Bowl but once, Atlanta lost handily to the Denver Broncos in 1999. Unlike their sharp-eyed namesake, the Falcons have possessed poor vision and rarely drafted well. This team 250 miles from the Atlantic Ocean somehow also spent the bulk of its existence in the same division as the Los Angeles/St. Louis Rams and the San Francisco 49ers, long-time powerhouses that took turns beating up Atlanta for three decades and left it little room for playoff hopes.

And since emigrating from St. Louis in 1968, although the Hawks have qualified for the playoffs more often than not, their hoop dreams have fallen achingly short season after season. Even Hall of Famers Dominique Wilkins and Pistol Pete Maravich—freshly off NCAA superstardom—could not lead Atlanta even to the finals. Consequently, the Hawks have perennially ranked among the worst in NBA attendance since arriving in Georgia.

But the Falcons and Hawks largely are cases of subpar general management and small-market struggle. 

Atlanta’s original hockey team, the Flames, is an altogether sadder story: Born in 1972, the Flames were the first franchise to bring NHL hockey south of the Mason-Dixon line—no easy going for a fledgling team competing for talent with the brashly spending World Hockey Association. But General Manager Cliff Fletcher drafted shrewdly and acquired skilled youngsters who made the Flames competitive almost from the get-go. Led by such gritty skaters as Tom Lysiak, Eric Vail, Bobby Leiter, Pat Quinn, Guy Chouinard, and the exciting goaltending tandem of Daniel Bouchard and Phil Myre, Atlanta reached the playoffs by its sophomore season, after which it never failed to finish at least .500.

Unfortunately, the promising Flames contained a fatal flaw: Owner Tom Cousins (already the owner of the NBA Hawks) named the franchise after General Sherman’s burning of Atlanta. How Cousins—a native Atlantan—could select such a mind-blowingly inept name is beyond comprehension. Even today, the city’s torching at the hands of Sherman’s army is a sore spot for deep-rooted Atlantans, some of whom still refer to the Civil War as the “War of Northern Aggression.” And if Atlanta’s ignominy continues to be a touchy subject now, it was even more so in pre–politically correct 1972, when Jim Crow and Civil Rights remained fresh wounds in the Southern psyche. Why would Cousins risk alienating his fan base by reminding them daily of their city’s ultimate humiliation?

The fact is that, for all of their success and promise, the Flames never drew well. Attendance dwindled throughout the 1970s, and the franchise relocated to Calgary in 1980. But forget the dearth of Stanley Cups and superstars—the Atlanta Flames’ failure can be blamed solely on its name. Let’s face it: If you’re going for the perpetually popular Civil War angle, at least name your team the Atlanta Hydrants so as to fill potential fans with the defiant hope that their city and their homes will be spared rather than bashing already-fragile Confederate egos by reminding them of the cinders their ancestors’ homes became.

Sure, a logo of a hydrant isn’t as flashy and inspiring as a flaming “A”—but who cares how good a uniform looks when traumatized spectators are too frightened to leave their homes for fear of Blue Bellies setting torches to their town?

Friday, October 2, 2015

Spahn and 750 Games—How’d He Keep His Numbers the Same?


As a young southpaw, I naturally felt an affinity for major league left-handers. Lefties, by nature, are outsiders. The consensus of sources spanning more than three decades states that only about 10 percent of the population is left-handed, making we portsiders indeed a rare breed. I, personally, never experienced the forced switching of penmanship meant to “cleanse” left-handed schoolchildren of earlier generations—a barbaric act harmful to the esteem, if not to the wiring of the brain itself. However, I was encouraged to slant my lined paper at a right-hander’s angle. And many a classroom offered a dearth of one-piece desks built for left-handers, my left elbow hanging humiliatingly in midair while my “normal-handed” classmates wrote in fully supported olecranal luxury. 

When you’re left-handed, it dominates your whole being in a way that the majority of the world cannot understand simply because the world is fitted to them.

Still, even from a young age, I was told that baseball teams are forever on the lookout for left-handers who can throw with control, which made me feel special, even if my backyard catches with Dad hadn’t yet graduated from tennis ball to horsehide.

Thus, it’s no surprise that I possessed an innate connection to southpaws who took the mound at Veterans Stadium, on television, and on my baseball cards. Hometown Phillies Steve “Lefty” Carlton, Tug McGraw, Jim Kaat, and Randy Lerch (a lefty with my name!). Randy Jones (a Cy Young–winning lefty with my name!). Don Gullett, Mickey Lolich, Fred Norman, Paul Splittorff, Frank Tanana, Jerry Koosman. And, of course, the deity of all southpaws, Sandy Koufax, who, though just before my time, commanded the highest respect in my household because the electrifying southpaw, by virtue of his Jewish heritage, single-handedly revived my Flatbush-born father’s interest in baseball after his beloved Brooklyn Dodgers broke his heart. (Sadly, that renewed vigor for the game once and for all abandoned my father with Koufax’s retirement.) 

Of course, I also knew of the great lefties of old: Lefty Grove, Lefty Gomez, Eddie Plank, Carl Hubbell, even Babe Ruth himself! But the southpaw who loomed largest, of course, was Warren Spahn. One of my baseball magazines contained his lifetime record. Thirteen 20-win seasons. Thirteen?! And a win total, 363, to which no other lefty stood remotely close. For me, and perhaps other young southpaws, 363 became something akin to 714 and 4191, an instantly identifiable benchmark in baseball history that spoke for itself.

But in examining Spahn’s record more closely, one finds a statistic that is both so ironic and improbable as to almost defy belief.

During a career in which Spahn pitched 363 victories, the multitalented hurler also recorded 363 batting hits.

When one takes into account the myriad variables that go into this mind-boggling confluence—from the fact that a starting pitcher’s at-bats vary from game to game depending on how well his hurling keeps him in each contest, to the fact that Spahn relieved in 85 games, further fluctuating his at-bats—one wonders how something so weird could happen. And then there’s the additional confounding variable that Spahn appeared in 18 games as a pinch-hitter, which chance would likely employ to further skew two totals rather than bring them together.

Macroscopically, how could one total derived from a pool of 750 (games) end up equaling another from a pool of 1872 (at-bats)—especially considering the first is accrued at a maximum of one per game whereas the second is almost always accrued multiple times per game?

It is for strange cases such as this that I wish I were a mathematician so that I could calculate the odds of two wholly unrelated totals, incurred at vastly different per-game rates (0 to 1 for wins; 0 to infinity for hits), somehow matching up perfectly over the course of 21 seasons. Still, it doesn’t leave me exactly hollow to state abstractly that the chance of both totals landing on 363 is merely astronomical.

Even considering that Spahn possessed an uncanny (though surely unrealized) knack for knocking as many hits in a season as he tossed victories—Warren authored 11 occasions in which his win total of any given season equaled his hit total of any given season, including an incredible eight times in the same season—the fact that 10 seasons not only did not match but varied in range from 0 to 21 for victories yet from 1 to as high as 36 for hits still makes this statistically improbable in the extreme.
Yet there exists another layer to this algebraic madness.

Spahn, who seemed as if he would continue winning forever, going 23–7 at age 42, finally was snared by Father Time in 1964. After suffering only his second losing campaign since breaking into the big leagues more than two decades earlier, he was purchased from Milwaukee by the young New York Mets just before Thanksgiving.

As the ledger closed on his Braves career, Spahn boasted 356 victories—again, the exact number of hits he notched as a Boston/Milwaukee Brave.

Struggling through 20 games with the ever-floundering Mets, Spahn staggered to a 4–12 record, his bloated 4.36 ERA hardly helping the punchless New Yorkers. Yet in those 20 games, as well as one in which he pinch-hit, Spahn collected four hits, equaling his victory total.

Going nowhere, New York released Spahn on July 17. Two days later, the San Francisco Giants, tangled in fourth place yet only 5½ games off the lead, signed Spahn, hoping to coax a last bit of magic from his left arm for the stretch drive. Perhaps revitalized by taking the mound once again for a contender, Spahn pitched better, for a time. He cut his ERA by nearly a run and chipped in three victories, although his last five appearances were spent in relief, as the Giants came up two games short at the wire.

Yet with eerie consistency, Spahn once again managed to rap as many hits as victories, rapping a trio of singles to match the 3–4 record he put up with San Francisco. The Giants released Spahn after the season, ending his remarkable major league career.

Not only had Spahn managed to produce equal victory and hit totals across 21 seasons (interestingly, he stroked his first hit in 1942 yet had to wait, because of highly decorated military service in World War II, until 1946 for his initial victory), but he, improbably, registered matching numbers of hits and victories with each franchise for which he played.

Such a quirk in the statistics seems only to make already-astronomical odds exponentially longer.



Were I capable of calculating the odds of merely accruing 363 for both totals across a career as long as Spahn’s, then trying to do so while including the further factors of identical sums across three franchises might cause my calculator to explode. It simply doesn’t seem as if it could happen.

And if all that weren’t enough, the breakdown of Spahn’s corresponding pitching wins and batting hits achieved as a Brave by city very nearly match as well: As a Boston Brave, Spahn won 122 games while collecting 120 hits, which, of course, leaves his totals after the franchise moved to Milwaukee Brave at 234 pitching wins and 236 hits.

Then again, neither did the probability of a pitcher not winning his first major league game until age 25 yet going on to win 363 for his career.  

Wednesday, October 22, 2014

! Spy Too Many Exclamation Points on !-95

While driving home from Florida, I passed this sign yesterday, which stands at Exit 169 on the southbound side of I-95 near Florence, South Carolina. It looks to me like writer Jake Jarmel now manages the Triple T Truck Center and he hired on-again-off-again girlfriend, Elaine Benes, to edit his billboard.

Of course, Elaine, upset that Jake’s latest endeavor lacked a certain emotion and intensity, apparently added unnecessary exclamation points—ostensibly to connote such messages as:

“It was a damp and chilly afternoon, so I decided to drive my semi!”

and

“I pulled the lever on the clutch, but the truck’s engine wouldn’t start!”


Okay, the dialogue implies a plot so banal that an inordinate number of exclamation points may be the only thing keeping this truck-repair place from being boarded up in bankruptcy, but Mr. Lippman isn’t going to see it that way and will want those exclamation points gotten rid of, should he drive by…


(Images from Seinfeld copyright NBC.)

Sunday, September 28, 2014

Maybe the "T.S." Stood for "Terribly Similar"...

Jesse Lee Tally, known as “Doc” Tally, played baseball for the barnstorming Israelite House of David team from 1914 to his death in 1950. The House of David was a religious commune founded in Benton Harbor, Michigan, in 1903 and thrived through the 1920s and 30s. Its founders—not the most visionary of religious leaders—declared sex a sin (even for procreation), in principle dooming their movement after a single generation.

The House of David became a national phenomenon during that time for fielding a long-haired, long-bearded evangelizing baseball team (actually, several teams) that crisscrossed the country playing amateur; semipro; and professional opponents, including squads from the major, minor, and Negro Leagues. Sort of the Harlem Globetrotters of baseball, the House of David team grew famous for its fancy, yet very formidable, play. It even, for a time, boasted several former Major League greats, including Three Finger Brown and Grover Cleveland Alexander, as well as the legendary Negro Leaguer, Satchel Paige—all of whom were required either to grow their whiskers or don a fake beard.

The House of David even beat the Major Leagues to night baseball, playing its first game under electric light in 1930—five years before the Bigs. (Ever shrewd in enlarging opportunities to play for paying customers, the House of David brought portable lights on its buses to allow night games.)

Anyway, I find Jesse Lee Tally the spitting image of the recently deceased Robin Williams. Reputedly the House of David’s best player, Tally invented the famous pepper games with which players would wow crowds with their acrobatic and dexterous skills before, and during, contests. Tally thus seems like the same type of good-natured, entertaining ham that Robin Williams came to be. Interestingly, Williams, a Chicago native, was born little more than a year after Tally’s death and just a hundred miles from Benton Harbor.*

* Perhaps stranger still, Williams starred in the resemblant-named 2004 “dramedy,” House of D.

It’s almost as if Jesse Lee Tally’s spirit entered the newborn Robin Williams’ body in 1951—all it had to do was float to the far side of Lake Michigan, and it had more than a year to do so…


So, it is entirely possible that Robin Williams possessed great baseball potential, even if he never sensed it. However, the world is a better place for him taking the route that he did—not only because he left a legacy of laughter, but because Williams’ natural inclination to field a batted ball, then toss it in the air while declaring, “Fly, be free!” would have led to a catastrophic amount of unearned runs…      

(Image from Good Will Hunting copyright Miramax Films; image from Mork and Mindy copyright ABC.)

Thursday, September 25, 2014

No Breakdown of Communication at 7-Eleven

I walked into my local 7-Eleven last evening, and the radio that’s always kept at the back of the store, next to the freezers, was playing “Communication Breakdown”—one of my favorite songs by one of my favorite bands. Sadly, Led Zeppelin, following John Bonham’s death, disbanded just before I grew old enough to attend rock concerts (i.e., afford a ticket), so I never got to see them play live (although I have seen each surviving member perform solo).

Even so, getting to hear the Mighty Zep launch into one of its most molten tunes from as close as just to the right of the Ben & Jerry’s pretty much made up for it. Naturally, I stayed for the entire song, blithely disregarding potential post-concert traffic hassles awaiting me in the parking lot.

Now if I could only get to hear the Jimi Hendrix Experience at my local Sherwin-Williams...  

Friday, September 5, 2014

Over There...Over There...Why'd They Put All the Words Over There?

Today is the 100th anniversary of the start of the First Battle of the Marne, the week-long bloodbath that marked one of the first major clashes of World War I. Fought just east of Paris, this Allied victory prevented the Germans from reaching the French capital and making quick work of the war. Unfortunately, with more than half a million casualties laying dead or carried off the battlefield, the First Battle of the Marne also set the pattern for the devastating trench warfare that turned much of France and Belgium into killing floors over the next four years—a pattern of seesawing advances and retreats so futile that, nearly four years later, witnessed another major clash along the River Marne.

Known, of course, as the Second Battle of the Marne (above), this smaller, but still murderous battle halted the German advance in the summer of 1918 and hastened the Axis’ surrender. More than 132,000 Allied soldiers were killed or wounded in this three-week struggle, including 12,000 Americans.

County Route 537, which passes less than a mile from my home in its long trek across the breadth of New Jersey, is known within the limits of Mount Laurel, Hainesport, and Mount Holly as Marne Highway. Commemorating the great sacrifice of American doughboys in that second sanguineous battle, a blue historical marker is mounted on a Marne Highway road sign just west of the intersection with Larchmont Blvd. The problem is that the marker—a small-fonted, two-paragraph explanation of the Second Battle of the Marne—stands approximately 150 feet from the stop-lighted intersection. There is no shoulder in which to pull over (and if one did, one’s car would dangerously—and illegally—obstruct the right-turn-only lane that begins a few feet beyond the sign). Furthermore, there is no hope of gleaning more than a sentence of the marker even while decelerating toward a red light. (Imagine trying to read the sign above while moving at anywhere from 25 to 50 mph—hell, try reading it right now!)

Thus, the only possible practical way of actually reading this small acknowledgment of American contribution to that pivotal battle is to be stopped in traffic backed up from the intersection, which, although a line of traffic often does form there, hardly ever backs up that far.

Or one could simply walk over to the sign and stand just a few feet from the roadway to read it—a monumentally inconvenient and not-entirely-wise option, especially on that stretch of non-residential road flanked by daily-active railroad tracks. (This is exactly how I took this photo, walking home from the auto-repair shop a quarter-mile down the highway from this intersection.)

Sure, one could keep driving around the block, hoping to glean the entire message a line or two at a time with each drive-by—and this might just be most in the spirit of Great War stupidity, as driving around this block entails an approximate 2.2-mile trek, including three traffic lights, because none of the streets within this “block“ exit to another side of it. I guess a family could make a day of this by driving down Marne Highway, spying a line or two, turning right onto Larchmont Blvd., eventually merging onto Route 38 West, making another right onto Hartford Road, taking it back to Marne Highway, turning right, and again driving by the sign at approximate 7-minute intervals until the reading is complete (there is an Italian restaurant, Chinese takeout, and a 7-Eleven on the opposite side of the Marne Highway–Larchmont Blvd. intersection should a family wish to stop for lunch during their reading). I suppose a savvy couple or family could pre-plan for each member to simultaneously read a different section of the marker, which, if performed and recited correctly and in order, would drastically cut down on the time, effort, and gasoline expense involved. But this is not an easily executed strategy and could backfire catastrophically—like many a World War I offensive. 

Thus, to say that this historical marker was poorly planned and futilely placed is an understatement—also very much in keeping with World War I, itself, given the many atrocities perpetuated by idiotic generals who, time and again, ordered regiments of men “over the top” and into the waiting graveyards of no-man’s land.

So I‘m torn...

If the State of New Jersey (or perhaps Burlington County) allocated the expense and effort to commemorate the battle at all, then why not do it right and set the sign where it could actually serve its purpose instead of in a place where its words would surely go to waste? It seems certain that the genius employee of the state/county/township responsible for the placement of this historical marker was the great-grandchild of one of those World War I generals who so asininely sent their men off by the thousands to certain death for a few dozen muddy yards...

Did the war to end all wars teach us nothing about historical-marker placement? You can bet the Flemish sited their markers in readily accessible, easily readable locations.

And yet for all of its seeming idiocy, perhaps the Marne Highway historical marker is perfectly placed, ideally echoing the utter absurdity of the Great War, as if it were a modern-day, metal-plated Zimmerman Note.

Only Americans possess such a sense of irony...