Friday, October 1, 2010
You're a Grandma's Old Flag...You're a High-Stylin' Flag
Once again, a furor has arisen over a citizen flying the Confederate battle flag on his/her property. Annie Chambers Caddell, of Summerville, South Carolina, has opened the latest can of worms by flying the flag on her front porch. She is white and lives in a “historically black” neighborhood. Caddell insists that she is merely displaying pride in her Southern heritage, but some of her African American neighbors see it as a symbol of overt racism and want her to remove the flag. Denying any hateful intentions, this rebel without probable cause refuses to comply, and objecting members of the community plan to raise the issue before a town board meeting later this month.
Regardless of Caddell’s constitutional right to fly the Confederate flag, or whether or not you view the rebel flag as a symbol of hatred or racism (I, personally, consider it a badge of treason, emblematic of the evil institution of slavery cloaked—like its vile cousin, lynching—in the spurious rationale of “states’ rights”; a flag of, literally, a foreign nation—and a vanquished one at that—that has no more business flying over an American government building than does the Japanese rising sun) one fact continually has been overlooked in this long-standing issue: it’s a good-looking flag: assertive design, attractive color scheme, lots of triangles. Sociopolitical implications aside, the Confederate flag brightens up any home, business, or official property. I find it a great shame that such an aesthetically pleasing flag carries the repulsive historical baggage it does and thus cannot be enjoyed simply as stylish decor.
Then again, The Dukes of Hazzard’s General Lee, with its Confederate battle-flag roof, serves as a constant reminder of one of the dumbest shows in television history (apart from Daisy Duke in her Daisy Dukes), thus doing even more to sully the flag’s reputation than its insurrectionist, segregationist legacy.
Those dopey good ol’ boys may never have been meanin’ no harm, but their car beats all you never saw...highlights the flag’s worst flaw...since the day that show was born.
(Photo of Annie Chambers Caddell by Brad Nettles and copyright The Charleston Post and Courier; photo of Bo and Luke Duke copyright CBS.)
Regardless of Caddell’s constitutional right to fly the Confederate flag, or whether or not you view the rebel flag as a symbol of hatred or racism (I, personally, consider it a badge of treason, emblematic of the evil institution of slavery cloaked—like its vile cousin, lynching—in the spurious rationale of “states’ rights”; a flag of, literally, a foreign nation—and a vanquished one at that—that has no more business flying over an American government building than does the Japanese rising sun) one fact continually has been overlooked in this long-standing issue: it’s a good-looking flag: assertive design, attractive color scheme, lots of triangles. Sociopolitical implications aside, the Confederate flag brightens up any home, business, or official property. I find it a great shame that such an aesthetically pleasing flag carries the repulsive historical baggage it does and thus cannot be enjoyed simply as stylish decor.
Then again, The Dukes of Hazzard’s General Lee, with its Confederate battle-flag roof, serves as a constant reminder of one of the dumbest shows in television history (apart from Daisy Duke in her Daisy Dukes), thus doing even more to sully the flag’s reputation than its insurrectionist, segregationist legacy.
Those dopey good ol’ boys may never have been meanin’ no harm, but their car beats all you never saw...highlights the flag’s worst flaw...since the day that show was born.
(Photo of Annie Chambers Caddell by Brad Nettles and copyright The Charleston Post and Courier; photo of Bo and Luke Duke copyright CBS.)
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